Photographing new babies
Photographing new babies – Twice the fun or double the trouble? James Paterson explains how to approach a newborn photo shoot with twins as the stars
If you’ve been asked to photograph newborn babies, then you’re in for both a treat and a challenge. Newborn photography offers the chance to capture babies in their tiniest, sleepiest, most youthful state, and the results can be tear-jerkingly good. But great patience, sound technique and a little luck is required – especially when shooting twins. Over the next few pages, we’ll explain how to approach the shoot, with advice on the right Canon DSLR settings, the best lens choices and how to set up your own makeshift natural light studio in the home.
If you want the babies to look truly newborn, it’s best to schedule the shoot within the first two weeks after their birth. However, newborn twins may be different, as they often have to spend time in hospital. Ideally schedule the shoot before they reach the 40-week stage. If you want the contemporary newborn look that’s very popular at the moment, consider bringing along a selection of textured blankets and colourful wraps, like the ones we’re using here, from www. babyprops.co.uk. Not only do they give you a smooth, clean backdrop for your portraits, but they can also help failing arms and legs in the right place!
STEP BY STEP NEWBORN PHOTOGRAPHY
Get set up for your newborn shoot with the right camera settings and kit
If you’ve seen a photo of a newborn baby perched on top of a guitar, a crate or anything precarious, it’s probably a composite. The baby’s safety is paramount, so don’t pose or position them in any way that could result in a fall or worse. If you do want to capture them posed on a precarious prop, set the camera up on a tripod. You can take one shot with the baby and parent (making sure the parent’s arms or shadow don’t obscure the baby), then take another shot of the prop on its own in the same position.
BLANKETS AND PROPS
We want a contemporary look for our photos, and a big part of this is picking the right colours and textures for the backdrop. A wrap or a hat can be a great way to add a splash of colour and texture to your shots.
CHECK THE SETTINGS
Time is limited; babies need feeding and nappies need changing. So, get your setup sorted before bringing the baby in. Use a toy roughly the same size to check lighting, backdrop and camera settings are spot on.
DIRECT THE LIGHT
Window light is ideal here – it’s soft, ﬂattering and falls off slowly. The direction of light is crucial; a slightly sideon position to the window creates pockets of highlight and shadow to give depth to your subject’s features.
BOUNCE WITH A REFLECTOR
Held opposite the window, a simple reﬂector lets us bounce light back into shadows, which evens out contrast for lovely soft lighting. If your reﬂector has gold/silver/white surfaces, white or silver is best here.
CANON CAMERA SETTINGS
Set Manual mode with a shutter speed of 1/200 sec for sharp shots, and set a wide aperture to around f/3.5 (anything wider might be too shallow). Use Auto ISO and the ISO adapts to give a correct exposure.
GOOD LENS CHOICES
A lens with a wide maximum aperture is crucial for the shallow-focus, soft-backdrop look. Prime lenses are good, as they offer wide apertures and great optics. We used a 50mm f/1.4 and a 100mm f/2.8 macro.